Thursday, February 3, 2011

If You Knew Susie...

The March 2011 issue of American Quilter magazine (already mailed to AQS members and available on newsstand Feb. 15)  includes several articles and patterns featuring the amazingly ageless Sunbonnet Sue. Here is a response from Jacquie Scuitto (aka The Muse). Jacquie has graciously shared this photo and the poem below.

"I just received the latest issue of American Quilter and am really enjoying all of the Sunbonnet Sue articles.
One of the two quilt tops I have that were made my my mom around 1940 feature the Sunbonnet Babies. The photo shows a section of the quilt. In Sue's honor I wrote the following verse some years ago:"

IF YOU KNEW SUSIE...

Oh Susannah!
My Sunbonnet Sue!
So many quilts have featured you
In so many activities
Over the years,
Mirroring real life.
Garnering cheers.
Some people don't care
For your innocent charm,
But their lack of taste
Will do you no harm:
Ever in fashion
With fame that astounds,
Your popularity
Knows no bounds.

Thursday, January 27, 2011

Mystery Quilt Contest finalists

The response to our Beyond the Block Mystery Quilt Contest has been nothing short of amazing! Of the 119 quilters who entered last August by completing part 1 published in the September 2010 issue, 95 (80%) completed part 2 by the November 2010 deadline, and 71 (60%) submitted photos of their finished quilts by the January 2011 completion deadline. But it wasn’t only the numbers that were fantastic—the comments were, too. Almost without exception, entrants thoroughly enjoyed participating in the challenge and were delighted with their finished quilts.
Here are the eight randomly-chosen finalists:
Kitty Adamo of Hopewell Junction, NY
Dorothy Alexander of Superior, NE
Amy Allen of Honaunau, HI
Cynthia Felts of Rolla, MO
Abigail Fuller of Troy, ID
Synneva Hicks of Byron, MN
Alice Means of Bolton, CT
Beth Schillig of Columbus, OH
Thank you to everyone who entered the contest. Three winning quilts will be chosen by AQS founder and president Meredith Schroeder, and photos of those three quilts will appear in the May 2011 issue of American Quilter magazine.

If you’re catching up and still want to make your own Beyond the Block quilt, all three installments of the pattern are available at http://www.americanquilter.com/ to AQS members. And for inspiration, photos of ALL completed mystery quilts submitted for the contest will be posted in the Readers’ Quilts gallery under the American Quilter tab on the AQS home page by the end of February.

Monday, January 24, 2011

Inspired by Grandma

With over 70 Sunbonnet Sue books currently listed on Amazon.com (including out-of-print titles selling for hundreds of dollars) plus countless stories, patterns, articles, and websites devoted exclusively to her, Sue has remained incredibly popular since her creation around 1900 by artist and illustrator Bertha Corbett. For a fascinating insight into Bertha's life, be sure to read the article by Betsy Lewis in the March 2011 issue of American Quilter magazine, on newsstand February 15, 2011. 

My friend Anita Shackelford, an AQS author and NQA certified quilt judge, has been a quiltmaker since 1967. She is an internationally recognized teacher and lecturer who loves combining appliqué and fine hand quilting to create new quilts in 19th century style. Her quilts have been exhibited in shows across the United States, in Australia and Japan, winning many awards, including twelve best of show and many for workmanship.

Anita has graciously shared this personal story and quilt photos:

"My grandmother was a quiltmaker. When her daughters were young, she made each of them a Sunbonnet Sue. The pattern was popular in the 1930s and a good choice for girls. She made it in the typical style with a variety of prints for the dresses and coordinating solids for the hats and shoes. To personalize the quilts, she collected fabrics from schoolmates for each of the dresses and embroidered the friends’ names on the blocks. The applique blocks were set with a wide sashing and of course, hand quilted.

I also have a Dresden Plate quilt that Grandma made. Again, she worked in a scrappy style, but this quilt was made from new fabric, bought for quiltmaking. These blocks were set with a golden yellow solid for the sashing and borders and the quilt was quilted by hand.

I was still in college when I decided I wanted to make a quilt. Grandma was no longer here to help with the task, but Aunt Gini had saved all of the scraps and cardboard templates Grandma had used. Her Dresden Plate was the pattern that appealed to me; I chose to make mine scrappy too, and many of the fabrics I used came from Grandma’s trunk. One cardboard wedge was all I had to work with. I traced with a pencil, cut pieces with scissors, and stitched them together by hand. I remember loving the process of laying pattern against pattern and joining them into something complex and beautiful.

A few years later when I was married and had little girls, I felt ready to try my hand at quiltmaking again. Following the inspiration from Grandma, I made two Sunbonnet Sue quilts for my two daughters. My Sues were made from family fabrics. I used more of the fabrics from Grandma’s trunk, some from Aunt Gini, summer dresses that my mother had worn, a shirt that my little brother had outgrown, and scraps from my own dressmaking. I used Grandma’s cardboard templates and did the work by hand. To personalize the quilts, I quilted each girl’s name into the sashing.

For me, quilting has grown from an interest in my family history, to a hobby, and now a profession. I still quilt by hand, but also use my sewing machine and a longarm quilting machine. I love all of it and frequently combine the different methods in the same quilt. By today’s standards, those first quilts would seem to have little value. But I feel fortunate to have had that early, traditional beginning and I’m still drawn to antique quilts and their stories."

Anita Shackelford's books may be ordered through AQS at www.AmericanQuilter.com, and AQS members receive a discount. For more information on Anita, visit her website www.AnitaShackelford.com.

Monday, January 10, 2011

AQ editor participates in the Dream Rocket project

[This article was written by American Quilter contributing editor Iris Frank of Santa Cruz, California.]

Jennifer Marsh’s dreams are never small…actually, they are gargantuan in my book. When I heard about her current “dream” project of wrapping the 37-story tall Saturn V Rocket replica standing at the U.S. Space & Rocket Center in Huntsville, Alabama, with fabric art, I immediately reserved a panel! This amazing endeavor is called The Dream Rocket, and more information is available at http://www.thedreamrocket.com/.

One category was Peace, and for as long as I could remember, my husband David (an aerospace engineer) had a quote by President Eisenhower displayed in his office: “Military power…serves the cause of peace by holding up a shield behind which the patient, constructive work of peace can go on.” The quote was illustrated with a beautiful pen and ink drawing of an eagle protecting a dove.

Our family's Dream Rocket panel is divided into fourths with the quote in one. For two of the others, my grandsons in the photo below (Ethan, age 7 and Alexander, age 8) drew pictures about their recently deceased grandfather. Ethan’s airplane was probably inspired by a memory of eating at a restaurant adjacent to San Francisco International Airport. He and Pops had a contest to see who could identify in and outbound planes first. (It was pretty much a tie!) Alexander’s rocket in space could be attributed to their trips to the schoolyard to launch stomp rockets! The remaining fourth is an “In Memory of” panel.

The rocket is to be wrapped in fabric to coincide with the 50th anniversary of President John F. Kennedy’s announcement to “land a man on the moon and return him safely to earth”—May 25, 2011. I can’t wait to see the completion of this amazing endeavor or what’s coming next. Dream on, Jennifer! For a prior Jennifer Marsh project, read the Amazing Endeavors: Independence Tree article on page 18 in the March 2010 issue of American Quilter magazine.

Saturday, January 1, 2011

2011...time to finish those mystery quilts!

For those quilters who qualified for continuation in our Beyond the Block mystery contest, you have until Tuesday, January 18th to send me photos of your completed mystery quilt. Your quilt must be quilted with the edges finished and a hanging sleeve attached to the back. Send mystery quilt photos to chrisbrown@AQSquilt.com and please include a little information about your focus blocks and process.

Approximately eight finalists will be chosen during the last week of January, and those finalists will be given instructions on shipping their quilts to the AQS photography studio in Paducah. The three contest winners will be chosen from the finalists, and the three winning quilts will be published in the May 2011 issue of American Quilter magazine. This issue will be available online to AQS members by mid-March and on newsstand the second week of April.

The beautiful completed mystery quilt shown above was made by Janet Springfield of Pendleton, Indiana. Janet writes: "My quilt is named Fascinatin' Fences because of my own fascination with fences. The focus blocks are from my community and include a classic farm fence, three very different wood fences including a picket style, an old iron fence, a utilitarian chain link, and a somewhat shocking prison fence from the Indiana State Reformatory south of town. Continuing with the fence theme, I pieced the Rail Fence pattern for the backing. My label is a photo, taken two miles from my house, of an old style rail fence."

Even though we can only publish three winning quilts in the magazine, photos of all completed Beyond the Block mystery quilts will be posted in our Readers’ Quilts gallery online at www.AmericanQuilter.com by late spring 2011. You can access this gallery in the drop-down menu under the American Quilter Magazine tab on the home page.

Monday, December 27, 2010

Entering contests: Quilting lessons from a non-quilter

Erin Ulrich, AQS contest coordinator, shares what she learned as an observer in the jury room.
“I do not quilt, knit, crochet, or hem my own pants. I am not an artist. I am a person good with numbers, spatial relationships, organization, and empirical observation. I cannot create, but I can analyze. Thus, I offer to quilters—artists that you are—the decidedly non-artistic observations of one who has had the unique opportunity of being a fly on the wall in the AQS jury room.

Take good pictures. The jurors are deciding which quilts, out of hundreds of entries, will be selected to hang in a show and compete for prize money. After spending countless hours, dollars, and worries to create your beautiful quilt, why show the jury a mediocre photograph? Take the quilt outside in the natural light, or hang it in a well-lit room. Then photograph it straight on, not from above or below, which causes the quilt to look like the top and bottom are different widths. And don’t cut off the edges! Jurors have to consider the possibility that the quilt is unfinished, the binding crooked, or the corners are not square when they can’t see the edges. Quilts that are photographed on a bed, held up by friends, on the floor, draped over shrubs, folded over at the top, or pooled at the bottom do not fare well in the jury room (the photos below are DON'Ts). The jurying process is blind (jurors do not know the name of the quilt maker—but I do!), and I have seen a jury reject a stunning quilt submitted by a renowned artist because the photo was bad.
Get creative, but don’t sacrifice quality. Jury members are quilters, quilt judges, quilting teachers, and authors. They see thousands of quilts every year, so if you use a pattern or traditional quilt blocks, they have probably seen other quilts similar to yours. They appreciate traditional blocks and patterns that are exemplary, and their eyes are trained to find excellence in craftsmanship and fabric selection. There is no penalty (in AQS contests) for using patterns; but if you choose to use a pattern or a traditional block, do it well! Jurors will not be impressed with a quilt made from a pattern they have seen tens or even hundreds of times if they have seen many better examples of the work. With an inventive original design or innovative quilt, the novelty of technique or design may trump slightly less impressive stitching. However, jurors will not be happy with a quilt—no matter how creative—if straight lines are not straight, circles are not round, fabrics are puckered, or bindings are uneven.

Don’t be intimidated. While working quilt shows, I have heard so many guests, marveling at the beauty of the quilts, say that they would be too embarrassed to submit their quilts to a contest. They fear being laughed at or ridiculed by the highly-esteemed jurors, or don’t believe their work to be of the same caliber as those who enter contests. I have sat silently through enough quilt juries to know that jurors don’t laugh at quilters. While not every quilt is accepted as a semifinalist by the jury, the members always recognize the time and effort put into each quilt. They remember that it is a privilege to sit on a quilt jury and witness the artistry and hard work that quilters of all levels invest in their endeavors. If you have made a quilt you are proud of, there is no need to fear ridicule, and you might just get to see your work hanging in an international quilt show! There is also no reason to be intimidated by the competition. While every contest has its share of professional quilters competing, there are always many hobbyists and first-time entrants as well. In fact, the judges have on multiple occasions awarded Best of Show to a quilter entering an AQS contest for the first time. New art from amateurs and professionals alike is what keeps the quilting world fresh and quilt makers inspired.

Read the rules and the entry form carefully. Before every quilt show I have the unfortunate duty of notifying several quilters that their quilts have been disqualified. While there are many reasons for disqualification, all of them are spelled out in the rules. Inappropriate dimensions are by far the most common reason quilts are disqualified. Each category in each contest has very specific length and width requirements. Quilts that are even half an inch too large or too small cannot be accepted. The second most common mistake is for one contestant to enter too many quilts in the contest or in the same category.

I may never learn to use my sewing machine correctly, and I am a danger to myself and others with a rotary cutter, but I can help quilters like you show their work to the world. Please contact me at erinulrich@aqsquilt.com if you have questions about any AQS quilt contest.”

Friday, December 3, 2010

New generation of T-shirt quilts

T-shirt quilts, though rarely seen at quilt shows or in magazines, remain popular in the quilt world. (And thanks to the recent movie The Twilight Saga: Eclipse, in which a T-shirt quilt was prominently featured, a new generation of teenagers has become enamored of this quilt style.) T-shirt quilts can be an expression of who we are, where we've been, or what we've accomplished.
The January 2011 issue of American Quilter magazine features two traditional-style T-shirt quilts on page 88, in which the shirts are set in blocks and rows. AQ reader Beverly Hertler, a fiber artist and quilter for more than 20 years, sent me photos of two very contemporary and artistic T-shirt quilts she made for her daughter. Blue Fish (shown above) represents areas her daughter visited on a cross-country drive to Alaska with her sister and George (her dog). Beverly used her daughter's old T-shirts, beads, and ceramic fish to create a quilt she titled Good Times Gone But Not Forgotten (below). This quilt was juried into a "recycled" show at The Monmouth Museum, Lincroft, New Jersey, this past summer. It was the only work incorporating fiber.

Beverly, thank you for sharing your work!